1 Hans Belting, An Anthropology of Images: Picture, Medium, Body, trans. Thomas Dunlap, (Princeton: Princeton University Press, 2014), 5.

2 Jean Baudrillard, Simulacra and Simulation, trans. Sheila Faria Glaser (Ann Arbor: University of Michigan Press, 1994), 1.

3 W. J. T. Mitchell, What Do Pictures Want?: The Lives and Loves of Images, new edition (Chicago: University of Chicago Press, 2006), 6.

4 Sarah Kember and Joanna Zylinska, Life after New Media: Mediation as a Vital Process, Reprint edition (Cambridge, Massachusetts London, England: The MIT Press, 2014).

5 Pasi Väliaho, Biopolitical Screens: Image, Power, and the Neoliberal Brain, (Cambridge, Massachusetts: The MIT Press, 2014), 89.

6 Uri Hasson et al., “Neurocinematics: The Neuroscience of Film,” Projections 2, no. 1 (January 1, 2008): 1–26, https://doi.org/10.3167/proj.2008.020102

7 Alvin Lucier, “Music for Solo Performer,” experimental music, 1965, https://www.youtube.com/watch?v=bIPU2ynqy2Y.

8 Patricia Pisters, The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture, (Stanford, California: Stanford University Press, 2012), 6.

9 Radúz Cincera, Ján Rohác, Vladimír Svitácek, Clovek a jeho dum (Kinoautomat), 1967, Czechoslovakia, http://www.imdb.com/title/tt0782135/reference.

10 David Slade, Black Mirror: Bandersnach, 2018, https://www.imdb.com/title/tt9495224.

11 Pia Tikka, Enactive Cinema: Simulatorium Eisensteinense (Helsinki: University of Art and Design Helsinki, 2008), 238.

13 Richard Ramchurn, The Moment (2018, AlbinoMosquito Films), https://vimeo.com/257470950.

13 Catherine Malabou and Marc Jeannerod, What Should We Do with Our Brain?, trans. Sebastian Rand, (New York: Fordham University Press, 2008), 32-33.

14 Lisa Park, Eunoia II, 2014, interactive multi-media project,https://www.thelisapark.com/work/eunoia2.

15 Diana Smith, “Pure CSS Oil Painting,” html/css code, March 1, 2020, https://diana-adrianne.com/purecss-francine/.

16 Yuk Hui, On the Existence of Digital Objects, Electronic Mediations 48, (Minneapolis: University of Minnesota Press, 2016), 3.

17 Memo Akten, “Learning to See,” 2017, video, https://www.memo.tv/works/learning-to-see/.

18 ”The Sensory Moving Image Archive,” accessed June 26, 2022, https://sensorymovingimagearchive.humanities.uva.nl/

19 Eef Masson, “Browsing Moving Image Collections.” The Sensory Moving Image Archive (blog), November 26, 2019. https://sensorymovingimagearchive.humanities.uva.nl/index.php/2019/11/26/browsing-moving-image-collections/.

*1 Bruce McDonald, The Tracey Fragments, 2007, Imagine Entertainment, https://www.imdb.com/title/tt0801526/mediaviewer/rm3514996224/.

*2 scrixie, “A Flowchart of Bandersnatch,” Reddit, December 28, 2018, https://www.reddit.com/r/blackmirror/comments/aaaf3a/a_flowchart_of_bandersnatch/.

*3 Pia Tikka, Obsession, additional collaborators: Rasmus Vuori, Joonas Juutilainen, 2006, interactive cinema installation, Museum of Contemporary Arts, KIASMA, http://www.enactivecinema.net/.

*4 Richard Ramchurn, The Moment, 2018, AlbinoMosquito Films, https://vimeo.com/257470950.

*5 Lisa Park, Eunoia II, 2014, interactive multi-media project, https://www.thelisapark.com/work/eunoia2.

*6 Mariko Mori, Wave UFO, 2003, interactive multi-media project, New York, U.S.A., image courtesy of Sean Kelly.

*7 Marina Abramovich, Suzanne Dikker, Matthias Oostrik, and Jason Zevon, Measuring the Magic of Mutual Gaze, 2011-2014, multi-media performance piece, Manhattan, NY, U.S.A. http://www.suzannedikker.net/art-science-education#measuringthemagicofmutualgaze.

*8 Andy Baio (@waxpancake), “It's only designed for Chrome, but don't let that stop you from trying it in other browsers: the older, the better! Here it is in Chrome 17, Firefox 3.6, Chrome 9, and (my favorite) Internet Explorer 5.1.7 for Mac,” Twitter, May 1, 2018, https://twitter.com/waxpancake/status/991412919656005632.

*9 Memo Akten, "Learning to See: Gloomy Sunday," 2017, video, EPSRC, https://www.memo.tv/works/learning-to-see/

*10 Bert Spaan, The Sensory Moving Image Archive, n.d., web project, Sensory Moving Image Project, https://bertspaan.nl/semia/