Artistic research project at the Film University Babelsberg Konrad Wolf.
This example is deconstructing and formalizing the rhythmical structure of a 3-minute sequence from the film “Wagah”. The series of four studies accentuates different audiovisual elements which are part of a complex rhythmical composition. These are four stages of abstraction with the goal of triggering a sensual and cognitive process on how rhythm is built and perceived. The four versions show the backward process I went through.
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